Child of the Cabbage (End)

Gracelyn Polk was on her stomach on a small bed in a girlish bedroom of pink. Her legs were bent upward at the knees behind her, socked feet crossed, as she lazily flipped through a teen magazine. A Who record spun on a small turntable in its own red box that could close with a gold latch, and it had a handle so a person could carry it around and take it to parties if they wanted to. Baba O’Riley filled the room as Moses the cat was curled like a furry crescent roll on the bed beside her. There was a yellowed and curling Ralph Macchio poster on the wall, some cheerleading memorabilia on shelves, a makeup table with an attached mirror next to a childish white dresser. There was a closet, door propped open by shoes, and it held unfamiliar clothes within it. A rectangular window with white curtains looked out upon an endless sea of cabbage, a metal windmill stirring screams in the distance.  

Then there came a gentle knocking at the door and Gracelyn reached to lower the volume on the record player. “Come in.”

The door opened with a creak and Farm Guy looked at her uncomfortably and smiled. “I just wanted to see how you were getting along in here,” he said, his head slowly moving around, scanning memories with his crystal blue silicon eyes, filing them in the proper slots. “Room okay?”

“It’s wonderful,” she said. “Thank you for… Everything.”

Farm Guy put his hands on his hips. “Absolutely. I love having you… Say, I thought I might take a walk out into the cabbage before dinner.”

Gracelyn scrunched her face in distaste. “You aren’t going to pick any, are you?”

“I’m not much for cabbage either,” he said, moving toward the window and peering out, his tall body awkward in the small bedroom. “It’s gross. That’s why I find it so strange that a whole field of it shows up in my backyard.”

“Do you think it’s a good idea… To go out in it. Because I don’t think you should.”

“I was hoping you’d come with me,” Farm Guy encouraged, walking closer to the bed, and looking down at her. “Might make us both feel better. You know — when we don’t find anything out of the ordinary.”

“But what if we do?”

He waved a hand in the air to discount her worry. “Nah. All we’re going to find is a hell of a lot of gross cabbage. That’s it. Trust me.”

She moved herself so that she was now sitting on the edge of the bed. Moses the cat got up, arched his back like Halloween, then curled back down into a snoozing ball. “Do you know anyone named Astron Puffin?” the girl asked.

A look of intense pondering came over Farm Guy’s face as he considered the question. He snapped his fingers suddenly when something came to his mind. “Cabbage farmer from over in Hillsdale.”

“That sounds like him.”

Farm Guy shook his head. “Odd sort of bird he was.”

“How so?” Gracelyn wanted to know.

“He was one of those fellas always going on about spaceships and little green men from Mars… Hell. He was a little green himself come to think of it.”

“I hardly think the little green men are from Mars,” Gracelyn interrupted. “They’re smarter than that. Mars is a dead planet and unable to support life as we know it.”

“Are you sure about that?”

She cocked her head to think about it. “I think so. Astronomy was one of my favorite subjects in science class. And besides, no intelligent life would want to be neighbors with Earth.”

“You got that right… Maybe you should do a report on Mars.” He waited for a reaction from her, but none came. She just sat there, thinking, jabbing her teeth into her bottom lip. Waiting for something. “Well, anyways, wherever they’re from, he sure was weird about it.”

“Did you know him well?” the girl asked.

“No. Barely at all. A random acquaintance who drifted in and out of the community of cabbage. Which I was not part of. I just knew a few of the guys. What does he have to do with you?”

“He had been following me around, at school mostly, watching me. He even showed up at my old farmhouse where I was staying, too.”

“He did? What on Earth for?”

“I don’t really know, except that he was always going on about being friends with me and wanting to protect me, and how he didn’t want to be alone… Like you said, he was an odd sort of a bird. I found him to be a bit pushy, too, and just not right.”

Farm Guy looked at her, his face flushed with a serious tone of knowing something that she knew as well but was left unspoken. “Well, thank God you’re here with me now. That’s downright unsettling.”

“But that’s not all, Mr. Guy. Sometimes I think I hear him out in the cabbage. At night. Yelling. Scared. Lost. But calling for me.”

Farm Guy sighed deeply, returned to the window, and looked out for a few moments. He made sure it was locked before he turned back around. “Let’s go for that walk.”


Astron Puffin sat in the endless cabbage field, knees drawn up, legs locked into position by his thick arms, his head down, his mind now mumbling. A crow flew across the sky, its aching caw causing Astron to look up. The cold sun was somewhat blinding. He looked at the cabbage around him. He studied their green, veiny heads and leafy wings and their seemingly unbreakable bond to the earth. Astron shook his head and scoffed. They were his only audience, and so he began to talk to the cabbage.

“Do you ever have one of those days where you feel like you’re a car, and you’re completely out of control and you go off the road and you crash into someone’s house… And I mean right through the living room, and all of a sudden there’s all this broken glass flying everywhere and bricks and wood and pieces of wall and everything is chaos, and everything is a mess, and, in the process, you even end up killing some lonely old man who was just sitting there in the house all by himself watching Johnny Carson on television or maybe reading his Bible in the glow of a soft lamp… And then suddenly, a car comes crashing through the wall and it’s all done for him. It’s all blood and dust and shattered bones and the entire history of one poor soul is snuffed out like a lipstick-stained cigarette in a dirty orange glass ashtray in a smoky dive bar.”

“What does that have to do with anything?” came the voice, the same voice from the spaceship but now coming out of one of the heads of cabbage that had turned to face him like a real head. The strange eyes widened, and the green lips moved again. “I see you’re startled, but think nothing of it… We have more pressing matters. The man is coming.”

Astron scrambled backward in the dirt. “The man?”

“And the girl is with him.”

“Gracelyn?”

“It’s time to stop the clock.”

The head dissolved and a rusty pitchfork with blood-stained tines suddenly materialized in the mist of gravity and quickly dropped out of the air and landed in the dirt before him with a deathly rattling thump.

“Something from your barn,” the voice from the cabbage said. “Do you remember it? Do you remember what happened back on the farm? Do it again.”

Astron went to pick it up. It felt right in his hands. It felt familiar. He began to walk toward the big, yellow house again. And this time, he was getting closer to it with every step he took.


She held his large, rough hand as they meandered down a perfectly straight row of the cabbage field. Gracelyn turned to look back at the house. “How far are we going?” she wanted to know.

“We’ll know when we get there,” Farm Guy assured her. “But don’t worry about that. Look around. Enjoy this beautiful day as it comes to an end.”

“You said that so decisively. What’s going on?”

Farm Guy suddenly stopped. He went down to his knees before her and took the girl by her arms. He looked far into her muddied golden eyes, the technology of her pupils gently sparking, the bloodshot lines merely delicate wires. “You have no idea what you are, do you?”

“What do you mean?”

“Why you go on while all the others don’t. Why some wandering god on the other side of the moon left you all alone here… It’s because you’ve never been alive. And if you’ve never been alive, you can’t die.”

She reached out a finger and poked him in the face. “You don’t have real skin.”

“No. I don’t.”

“We’re the same.”

“Yes. We’re the same,” he answered.

And just as Farm Guy rose back up before her, Astron Puffin charged out from some invisible place and he was howling like a madman, the pitchfork straight out in front of him, the tines hungry for new flesh and blood and the bringing of death.

Farm Guy moved like lightning shot from the fingertip of a god in the inhuman way he was made, reached out, snatched the handle of the pitchfork, and swung it around. He cocked it back quickly, and then violently thrust it forward into Astron Puffin’s chest, two or three of the tines surely piercing his heart.

The world somehow slowed as Astron dripped to the ground like a slew of heavy mud. Farm Guy yanked the implement back out, threw it to the side. Astron fell forward, face-down. Gracelyn turned and ran away, deeper into the cabbage.  


He found her sitting all alone on a big abandoned wooden crate looking off into the distance. The day was dying on the crest of the darkening hills, a moon was eager to make its entrance alongside the black stars and ruby red planets.

“I had to do it,” he said from behind her. “He would have tried to hurt you, take you apart piece by piece… And I just couldn’t have allowed that, but I’m sorry you had to see it just the same.”

“You didn’t move like a man. It scared me.”

“I didn’t mean to scare you.” He went to sit beside her on the abandoned wooden crate. “It’s getting dark. We should probably head back to the house soon.”

She ignored what he had said. “Did you know that even after a star dies, its light can be seen for a million years?”

“Is that right?”

She looked at him in the fading light, twisted her mouth. “I think so… Do you think it will be the same for us?”

He chuckled, breathed in deeply. “I don’t know. But it would be nice to see each other if there ever was a time we were very far apart. Maybe you should do a report about it.”

“Maybe I will, but not tonight.”

They hopped off the crate and walked back toward the big, yellow house, now the color of a moonlit bruise, window frames aglow, the light brought forth by the servants of memories moving around inside.

END


The Escape Artist

Oxidized eyes and diamond fireflies doing the rotating Merry-Go-Roundabout above in the sky, under hot sun ozone hole as I’m mining in desert Minehead up the breach highway linear West near the Hondo – I’m hitting into dirt wall with pounds and pounds of frustration while the rattlesnakes and the antelope watch, cocking their different heads in wonder, sniffing the air with nose and tongue, searching for an unwound rag doll named Sheena in this desert Mars land of bar.

There’s a tattered zip line over a deep gulley to get across when the mad, mad water rushes in from the West – but this place be bone dry today and yesterday and probably has been for a long, long time by the looks of the bleached skeletons down in there playing bad hands of poker with weathered cards set to reel off at any second with the slightest breeze. This is Deadland and I am deep in it, shins and thighs scratched to hell by the muscled, thorny bitch plants that thrive here, the ones that dine on salt and spit and kick at you with tentacles of nails.

It’s Christmas day and it’s still too damn hot. I’m hiding from St. Nick because I know he’s going to beat me with a pillow sack full of fresh beehives. The family of strangers back in the village is all too damn hypnotic, admiring those dumb faces as they hold up the shiny new toaster as if it were a mirror – you’re burnt bread baby, I can smell it from here. How can you live in such a fucking catacomb Mrs. Nannette Hourglass? How can your soul stand to be so bound? I for one cannot take it and let out of there like a hurricane playing a harp, a roughshod whisper, phantom skin squeezing through the door, starting the car, driving away, away, away.

Sure, I think about my bad case of anti-social and radical behavior as I ride alone on the Rose Highway smoking sheepskin cigarettes and listening to defunct, angry music. Sure I feel the rocking horse guilt well up inside and think I might puke it all out over the steering wheel, but this mind muscle can be hallucinatory, can trick you into believing that what you are doing is right when in fact could be wrong, but most likely is correct anyways, baby – listen to your soul, not the fucking TV – for Christmas is meant to be spent alone, alone in the dry hot, hot whorehouse, alone to recall the dead ones that used to give you gifts; gifts now broken, now tattered, the ruined parts sent back to China or Bangladesh where they are piled in heaps right next to the used and worn bodies that made them in the first place – stockpiles of corporate shit and the starving enslaved with those melted, plastic fingers scratching at the emergency exit just to get out, out, out.  Smile and sell for hell.

The sausages are boiling in the pan over the small fire I have built here. The smell is fine. The stomach is growling. I look at my scratched pocket watch – they are all probably sitting down right now for the big feast and the blah, blah, blah, hah, hah, hah, chit chat shit of waggish talk whilst imaginary butcher knives twist in the spine of who sits across. It’s all pretend love and love until the polite goodbyes and then the door slams and the backstabbing blurp, blurp comes rolling off those twisted tongues. I wanted no part of that; I wanted crisp sausages, quiet, fire and Christmas cheer – toasting the rocks, the gravel, the wayward scorps – it was lonely as hell either way.

There is the aftertaste of chagrin in my mouth and guts – oh, how I long for guilt-free freedom, how I long to never return to the same space twice, how I long to taste every road, every directional arrow, every point on the map, every carriage, every castle, every loch, every green garden ever grown, every ocean, every river, every trickle of light in some small English cottage – but I am far linear west poking at ash with the metamorphic girl sitting across from me now dressed in lava rock – it is the shimmering sheen of some prehistoric volcanic sacrifice in hallucination – the wild makeup and hair; the savage, spitty pout; the long, velvet legs leading to Heaven’s flesh; the eyes bursting like honey bombs set ablaze by a sharp, silver Zippo.

Flick, burn, inhale –

“Merry Christmas,” I say to her anyway.

She fades away, but I can still smell her – like roses and spray paint.


I thought I saw that dude Arafat scrambling around in rocks and brush, but the longer I stare the more I realize that nothing is real. It’s all a memory bank baby. We were all here many moons ago, rag-tagged in the back of some trashed out Euro sedan, barfing out the remnants of mad ragers all over the freshly polished desert floor, the groaning, the twisting and uneasy sleep – everything always comes back around again no matter how hard we try to avoid it. Memories are deposited, the pains and joys withdrawn – it’s like black-and-white Poland to me, wandering in rags, sleeping in parks, losing muscle just to hustle.

888 West End posh and some baby hot, hot lady in bed-ready red is sipping my best brandy like it’s water as she sits on my couch looking at all the shit I have on the walls. Does she even know she’s just a mannequin who happens to know how to breathe?

“So, it’s New Year’s Eve, and here we are.”

That’s what I say to her.

Her glassy eyes look up at me as if I were some loon.   

“Do you like chainsaws?” she asks. “I’m afraid of chainsaws.”

She holds out her glass for more brandy.

“You know, this shit is pretty expensive.”

I pour her more of the brandy and walk out onto the veranda. She doesn’t get off the couch. She just sits there sipping my expensive brandy and staring off into space like some bucket of chicken in need of a warm towel. How can I tell her to get the hell out of here, but still be polite about it? Am I really that boring? Is it me? Has it always been me?

I turn just in time to see her putting on her coat and walking toward the door.

“Wait – it’s not midnight yet.”

She smiles, puts a chick cigarette between the frosted lips.

“So, what? “You are boring me; you always bore me.”

That’s what she said to me in that thick Euro accent.

“But wait, we could take a drive in my car. It’s fast. We can go wherever you want.”

She stopped at the door.

“All right, but you let me drive.”

She was a maniac behind the wheel, but I said nothing. I even removed my seat belt when she went faster, faster, faster.

“Are you afraid I will wreck your car, or worse, get you killed.”

I just let go and flew with her. She accelerated. Faster. Faster. She went faster still until we were out of the city and in the luscious throes of country dark.

“Are you afraid yet?”

She shut it down in some lonely void.

“It’s 12:01. I’m going home now.”

She got out of the car and walked away, disappeared into the dark woods, forever gone.

I poked at the ashes with a stick on Christmas day. The sun was still bright, and I was still alone. Would it ever be safe to go back? Why go back? Why keep going back? This life should not be a revolving door – push in once and go through, push in again and keep going through, push, push, push, until the end is beautiful enough to stay, the day she falls in with a first airport kiss that sends rockets to space.