CEREAL AFTER SEX

Stories of everything and nothing else

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    He goes into his bedroom, crawls into the bed, and takes a nap.

    There is a dream of a rigid street, a neon and black hotel bar with a large window gazing out onto the world, the lighted stage, all the unreal.

    He’s the only one there for now.

    The pumped-in music is instrumental and weepy.

    His head is bowed as he prays to the bourbon.

    How much more of this life can I take, he thinks.

    Rabid Bible men skewing the focus of what life really should be.

    Preaching patriotic hate and rage.

    Guzzles the last of the liquid.

    He taps at his glass with a clean and trimmed fingernail.

    “Another,” he says to the bartender. “This makes me feel good.”

    Bartender looks at him, pours. “You’re famous aren’t you,” he says.

    “Famous for what?”

    “I don’t know. Something.”

    “Why do you say that?”

    “You have a famous-looking face.”

    “It’s just a face… And if I’m so famous, why am I all alone here tonight?”

    The bartender grins. “Maybe you’re just anti-social.”

    “You got that right. I’m tired of all these dipshits making noise. Tired of all this talking and nobody says anything remotely interesting.” He nods toward the window. “I guess I’m here because I don’t want to be out there. Out there where all the terrible things happen.”

    “You sure are full of the blues,” the bartender says to the man. “It’s not all bad. Just think of all that tight ass out there.”

    The man chuckles. “I once new a guy who used to stroll around the mall… You do know what a mall is, right?”

    “Yeah. I know the concept of one. Ancient history, man.”

    “Anyways, this guy would stroll around the mall, following women around, and he’d try rubbing against them or touching them, you know, like on accident, but it was no accident.”

    “Sounds like he was a troubled pervert.”

    “He sure was. His name was Cliff. Go figure. And he’d tell me this stuff at work while we were in the breakroom and all I wanted to do was eat my sandwich in peace and this guy is yapping about his ass escapades. I don’t know what happened to him, but I bet he’s in jail…”

    “Or maybe he jumped off a cliff.” The bartender laughs.

    The man laughs along with him. “You got to wonder how many Cliffs have jumped off a cliff.”

    The air grows silent around them and the man taps his glass once more to get another drink. The bartender pours and then walks away to attend to a couple who have come into the bar. They take a seat at a round table in a corner, and the man studies them as they talk. He wonders what they are talking about and then suddenly doesn’t care. He just watches their mouths move incessantly. It makes him uncomfortable. Talking is painful to him. It takes too much effort, and the thoughts never form correctly in his own head. Finding someone to be comfortable with is the ultimate dream.

    I’d rather write stories and make the characters talk, he thinks. I can make them say whatever I want and I don’t have to actually talk. People bring me discomfort. People rattle my nerves. It’s hard to swallow. It’s hard to see. My throat dries up and I spit out word salad. My psychiatrist thinks I may be schizophrenic. No. That can’t be right. Schizoid, maybe.

    He catches the woman at the table in the corner glance over at him and then whisper to the man she’s with.

    It’s hard for me to function in society, he thinks to himself. But then again there is nothing real about society. No one is true blue; they’re all dead red. Red Dead Redemption. He’ll go home to his high rise and play video games by himself. It’s an escape. He needs an escape.

    He finishes the last drop of his bourbon and gets up and leaves. Once outside he hails a taxi. He lives in Las Vegas. Nevada, not New Mexico. He wonders how many people even know there is a Las Vegas, New Mexico. Not many, he concludes. People are stupid.

    He enters his empty apartment and turns on a light. A cat comes out to greet him. He goes to a window and looks out at all the lights. He’s surrounded by life. He’s surrounded by cliff divers.

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    Endless time on endless roads

    God’s crows sweep the sky

    Death black against orange

    It looks like Halloween

    Even though today

    Is the day of green

    Follow the green brick road

    To Isolation City

    A stark, brutalized McDonald’s

    Out in the overgrown forest

    That used to be the edge of town

    The Burbs

    Where the outcasts and misfits used to live

    Getting high and listening to Rush

    Aimed at the horizon

    My body flows

    Toward the glow

    At the end of the road

    Wandering cliffside

    I see stories on the ancient walls

    The space people who came before

    To impart knowledge

    To design and build

    Landing, launch pads smooth as glass

    Beings from the future

    Or beings from the past

    The idiocy of our planet

    Never surpassed

    And stupidity is glorified

    Murals of morons painted on edifices of lies

    A black smog engulfs my head

    Sometimes I wonder how I might die

    This is bleak house today

    But the sun shines

    And my mind is high

    Sometimes I feel old and worthless

    Think I’m doing the right thing

    But it never turns out that way

    Feel like a scam and a scoundrel

    Even when I just sit here and nod off to sleep

    To dream those mini dreams

    Those wild picture shows before my eyes

    Alternate realities feel so good

    To be somewhere else

    Besides this crazy world

    And isn’t it just crazy

    This is all just so drifting

    I should wrangle my thoughts

    Put them all in neat little rows

    And start all over again

    Until then I’ll just shut up

    Everything I say

    Is just kindling anyway.

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    Flittering filth and glass lenses. The dais waits under fuzzy white light. The podium is propped. The whole of the stage is green. The audience whispers of ghost sightings and Christmas cookies on a white plate with a red and green design. A glass of milk gently shakes; a ripple forms across the top of the liquid. A black morning raid has come to ruin the day.

    The city of Epsilon lies in ruins. The man at the podium in the small theater clears his throat and speaks: “Is everyone okay?… I’m afraid there has been a terrible tragedy. We’ve been bombed.”

    Whispers flutter among the crowd.

    A man stands and exclaims, “Well, isn’t that the thing to do these days!” And he walks out of the theater and into the smoke and debris. People are running and crying, some are screaming. It’s all mad hysteria, man. The man makes it to the local record store and ducks inside. The clerkies are pressed to the window, looking out at the new war in wild wonder. The man’s name is Ethan Duck and he goes to the section of Rush albums and starts flipping through them. He pulls out A Farewell to Kings and studies the cover. The scene looks just like it does outside in the real world.

    “They never stop, do they!?” he spits out in anger and frustration.

    One of the clerkies turns away from the window. “Sir? Did you need help with something?”

    “Yes! I need you to drive me to another planet so I can get away from all these idiots who do nothing but murder and destroy!”

    The clerkie whispers to the other, “Should I call the police? He seems absolutely mad.”

    The other clerkie scoffs. “He’s not mad, he’s just telling it like it is.” He raises his head and calls out, “I agree with you, sir. Bunch a bloody lunatics.”

    Ethan Duck smiles at the fact he has a supporter. He files the Rush album back into its place. He pumps his fists in the air and exclaims, “I am right and ruthless.” He dances around a bit and then walks out the door

    The setting sun is mingling with the afterglow of the bombing—a blood red orange color with streaks of black in it. Ethan Duck can see his apartment building in the distance and is glad it still stands. He can see his particular windows and the veranda with the green plants growing tall. Ash floats down from the sky. The dead burn his eyes.


    Once inside his apartment, he presses a button on his flashing answering machine. It’s a message from his boss, Glennentine Ross. “Why didn’t you come to work today? Call me back with an explanation. Bye.”

    “Fuck him,” Ethan says aloud. “Does he not see the world is in crisis because of dipshit morons? What am I to do? Carry on with life as if nothing is terribly wrong like all these other idiots do?”

    The eyes on a painted portrait hanging on a wall come to life. The mouth opens and speaks. “How else are people supposed to act?”

    “Get off their timid butts and protest. Stand up for something!” Ethan answers. “Fight these war mongering assholes.”

    The woman in the painting sighs. “I’m afraid there is no victory in a world such as this. It’s all fighting. I really believe we were all set aside here on this very planet because we are so ill behaved toward each other. The things these humans do to each other. Heinous.”

    Ethan Duck sighs. “It’s exhausting just trying to live.”

    “Would you like to come into my world?”

    “You could do that?”

    “Yes… Close your eyes and focus on somewhere else, somewhere better and brighter.”

    Ethan’s soul steps out of his body and into the painting. He is suddenly beside the woman in the portrait, and they are surrounded by nature—rolling green hills, beautiful trees, a pale blue sky with a peaceful sun hanging from it. Ethan breathes it all in. “Where are we?” he asks her.

    “The Italian countryside, on another astral plane. Care to smoke some weed?”

    And there she is, with a joint (marijuana cigarette) held between her lips. “Here,” she says, and she removes it from her mouth and hands it to him. “It’s good stuff.”

    Ethan takes it and smokes. “Damn, I’m already high… And this place is amazing. And you’re quite pretty for a painting.”

    “Let’s take a walk,” the painted lady says.

    Along a wonderous lane of green brick, they walk. The trees all have faces. Some smile; some frown.

    “Where are we going?” Ethan asks. “Is this all real? It seems I can’t differentiate fact from fiction… Or am I just so high that I’m in another world of another world?”

    “Don’t try to figure it out. Just go with it, man,” the painted lady says. “Relax. Everything is okay… Look there, a pink waterfall.”

    “It must be made out of bubble gum, man.”

    “Let’s top off our high tank,” she enthuses.

    And then they smoke more. This time from a psychedelic caterpillar-shaped bong she plucks from a tree.


    Ethan Duck wakes up in his bed. He sits up and shakes his head.

    “Man, that was one hell of a dream,” he says aloud.

    He goes to a window and looks out. Everything is as it usually is. There was no bombing, after all. The world is the same. Stained and mundane. The sky is blue and the sun is shining but people are still struggling. He sees it in the aching faces walking along the walkways. Ethan Duck sighs and goes out to look at the painting of the woman in the Italian countryside. He studies the painting closely. The eyes and mouth do not move. Nothing swirls. The backdrop is idyllically serene. It’s just a painting. He pulls it off the wall and studies the backside. Nothing. No doorway. No portal. No escape hatch from this world to another. He hangs the painting back up and is disappointed. He was hoping he could go back to that place someday. But it doesn’t seem so.

    “It was all so vivid,” he murmurs.

    The next morning, he churns in his bed when the alarm goes off. He must go to work. Why? “Why do I have to sell my life away for so little?” he complains to the mirror as he shaves. “And we all do it. Wasting our entire lives doing something we hate. Oh, there are the lucky few who get to do what they love. Because they have money. But the rest of us, we’re paid just enough to barely get by, just enough to keep us buried in debt, just  enough to keep us coming back for more bullshit. I get my paycheck, and then a medical bill takes half of it, so now I’m behind on everything else.” He splashes water on his face to wash away the remaining shaving cream. “What a scam living is… And we’re not even living. We’re being worn down by the system that laughs in the face of human comfort and joy. Everything is a fucking battle. Everything is a fight. And then you just die. Like you never even mattered. You come into this world kicking and screaming and ready to experience it all… And then you go out, battered down, beaten and bent over, used up. What’s the point of all this lifelong struggle.”

    Then a figure appears in the mirror behind him. “Hi, hi, hi there,” the painted lady says.

    Ethan whips around. “You’ve come back.”

    “Yes. I have. You seem so messed up.”

    “No. Just trapped.”

    “Care to take another walk on the green brick road? … A forever walk?”

    “You mean, I’ll never be able to come back?”

    “I’ve been listening to you. Why would you want to? You hate your life.”

    “You’re right. I do hate my life. I think it every day.”

    “Then come with me and leave it behind.”


    The green brick road wound up and down, in and out, through and around, all the way to the horizon and beyond to where it ended at the spot of a bright glow.

    “That’s the City of Mystic Rhythms,” she said. “That’s where you’ll find work and a place to live.”

    Ethan was confused “But… Wait. That’s not what I want.”

    She looked at him and smiled. “But that’s all there really is.”


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    A gay rain pitters upon the earth

    As bombs play death on the other side of the world

    These new wars poppin’ fresh like muffins

    Madmen too afraid to face their foes

    So send the kid from the ghetto

    To fight your frivolous fights

    Unleash the money missiles

    To ring the gongs of death

    Billions and billions wasted on the war machine

    To destroy and decapitate

    To bury kids in rubble

    And we can’t get healthcare or implements for the old or food for children or education for the masses or peace for the soul

    They cry out to God to fix it

    But he’s getting high and listening to Rush

    His eyes fixed on another galaxy

    Because He’s sick of Earth and all its stupidity

    Sick of all the criminal minds

    The cheats, the rapists, the liars

    “Let it burn,” he says through another puff

    And another bomb falls and black smoke rises and people are scorched and maimed

    As you complain about oranges and click another portrait of yourself

    (Liam singing) Selfies, what a fucking disease

    And I try to be happy, and I try to look up

    And yet what do I see:

    Blown-up bodies fall from the sky

    Children chained and traded

    World War 3 on the radio

    We gather around and listen

    Just like we always have


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    If only I could grab myself and hold the wounds together. The wolves watch with piercing eyes. I smell blood and pine trees. Crimson stains the snow. Where am I? What am I doing here? Cold coffee in my cup. I build a shelter and make fire. The computer keyboard keys click and tick. The smell of wood smoke surrounds me. The internet is fast in this place. It’s going to be a long, cold night. I wonder if I’ll sleep. There is silence save for the crackling of campfire wood. The city and the people are beyond that mountain. My cell phone has no service here. But what if Bigfoot comes out of the trees? I wonder if he would rip my head off or sit down by my fire and talk. I’d ask him what planet he was from. The light is fading quickly. I look up at the night sky. I pull out my digital telescope and study the splatter of space. How can I be lonely in a universe of trillions and trillions? How can I be on the planet of hell? I long for a starship and safe passage to another system. One without hate and greed and war and all the hurt humans suffer. Humans hurting other humans. How can you take pride in that? The government is attacking the weakest and most vulnerable. That’s great! I shake my head and chew on twine. Endor calls for a refreshing bath.


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    Liquid day

    Fog, breath

    Cornucopia of popping white lights

    Amplified chatter, chaos, screaming children

    The central corridor of the train station has a blue hue

    Blue hearts straining, loving, pounding

    Memories of Mafia at the edge of my mind

    I look down at the ticket

    Amsterdam

    The windmills and flowers woosh by

    As the train gently hums along the tracks

    Scenes of other lives abound as we draw closer to the city

    Then another station

    Another set of keys for the eyes

    Someone is playing a piano

    Or is it just another auditory hallucination

    I search for a clock on the wall

    12:04 pm

    The sounds and movement overtake me

    I crawl into a corner and hide

    Someone offers me a croissant

    My shaky hand reaches

    Soft, fresh, buttery

    I take out my journal

    Sketch the scene around me

    People become sticks

    Take deep breaths

    Calmer now

    I’m in Amsterdam

    I walk outside and absorb the air and all of its pieces

    I come upon a koffiezaak and settle in for a cup

    Outside at a small table

    Cordoned off by an ornament of fastening

    Black and gold

    Cannabis in the air

    Legs moving, bodies moving

    The buildings are tall and thin

    Searchlight windows abound

    Cell phone rings

    “Where did you go?”


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    Then appears in low dramatic light: A TV screen of liquid green. The sprawling appendages of a tree in a heavy pot. A couch. A coffee table. A chair. An end table with a stack of books and a lamp spewing soft, minty light. Windows with white curtains. And in this room there the white door appears once more.

    “We’re in a box,” Andella says.

    “A diorama,” Billy Hays adds.

    “What do we do?”

    “Sit on the couch and make out.”

    “I’m being serious.”

    “So am I.”

    Then there comes a small knock at the white door as if from a small hand.

    Billy goes toward the door and pulls it open. There is nothing but a long hallway illuminated by the same minty green light as in the box.

    Billy slowly closes the door.

    “What is it?” Andella asks.

    “A hallway that seemingly never ends,” he answers.

    Then there comes a small knock upon the glass of one of the windows right where the curtains are parted.

    Andella and Billy see a small figure with a white face and large eyes and strange clothes standing there and peering in.

    “What is that?” Andella wants to know.

    “Part of whatever is having us chase our tails through time and space,” Billy says.

    And then, like the popping of a balloon, the small figure vanishes from the window and appears sitting on the couch. There’s a strange hum in the room and the feel of electricity in the air. The figure tilts its head as it studies the two humans standing before it.

    “Are we in love?” Andella asks the figure. She turns to Billy and whispers, “It’s talking inside my head.”

    “Yes, we are,” Billy tells the figure. “Who are you and where are we?”

    “You’re asking the wrong questions,” the figure says to them inside their minds.

    Andella turns to Billy. “We are?”

    “Love is the only thing that matters,” the being says, this time aloud and in a strange voice. “Your world is failing. It’s falling apart because everyone is full of disdain and hate… This distaste of others because of the color of their skin, or who they love, or what language they speak, or what country they come from, or what political view they assume, or what religion they practice, or this or that and it goes on and on… Stupid. Your world is choked with stupidity, and war, and violence, and so many poor choices and so many priorities askew… You’re all destined to die in a crippled world…”

    Billy takes Andella into his arms, and he looks into her eyes and says, “I love you.” He kisses her.

    She doesn’t know what to do. Her lips move but no words come out.

    Billy repeats, “I love you.”

    “How?” she finally manages to softly say.


    They walk side-by-side down the seemingly endless hallway beyond the white door. The minty green light guides their way. The walls are glossy black. Billy Halls tries to take her hand, but she yanks it away like a phonograph needle.

    “What’s wrong?” he asks.

    “This whole love thing you keep professing,” Andella says. “I don’t understand. We barely know each other.”

    “We know each other enough. It’s not like we’re strangers to each other. I know you better than billions of people.”

    Andella tries to change the subject. “Will this hallway ever end?”

    “Everything ends,” Billy says with a hint of sadness. “Except God. He never ends. Did you know God told me, to live a life of luxury.”

    “Then why aren’t you? You live in a circus tent caravan.”

    “I don’t… I mean, I struggle just like everyone.”

    “Then why doesn’t God help you?”

    “I thought you were a believer,” Billy says to her.

    “I tried to be, but it never works. Nothing happens. Nothing changes,” Andella says. “I might as well pray to a brick wall.”

    “I sense your faith is slipping.”

    “Faith in what? A white bearded hot air balloon floating around in the clouds with a basket full of unfulfilled wishes?”

    “Then why did you come to the revival?”

    “Truth is…” Andella stops walking and turns to look at him. “I was going to assassinate you.”


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    They sit atop a high and grassy hill of polished green that looks down upon a simple valley with a few scattered buildings and a small river running through. A blade of sunlight reflects against the water and engulfs everything in a sparkling veil.

    Billy Halls passes her the joint they are smoking. She takes a hit and then giggles.

    “You look like the guitarist from the band Rush,” Andella says.

    “Alex Lifeson?”

    “Yes.”

    “Wait. You like Rush, too?” Billy asks.

    “Rush kicks ass!” Andella exclaims.

    “Sweet! They’re my favorite band.”

    “Did you feel alienated as a teen?” Andella asks with a serious tone as she looks into his eyes of Ireland green.

    “Damn. I sure did, but Rush helped me get through all those rough times. I used to come home from school; smoke weed and lay out on my bed and listen to Rush with headphones on. It was an amazing escape from the horrors of reality. I was really into A Farewell to Kings back then. I remember the birds chirping and being really high.”

    I was picked on in high school because I was heavy and awkward,” Andella says. “Listening to Rush was a perfect escape for me, too. The music really spoke to me. Subdivisions is one of my favorite songs. I mean, man, it’s so right on.”

    “Yeah, man. Subdivisions is cool… Be cool or be cast out… I was a cast-out because I was meek and small and everyone else was large and loud. I never fit in. I could never speak up. I had but one so-called friend and he was sort of a cast-out too but not as much. His name was Kraig with a K. I’d often hang out at his house after school and in the summer, and we’d play video games or get high and walk around in the woods. I drank my first beer with him at 15. His mom looked like a fish and just sat around and watched television. She liked tuna fish sandwiches and one day she made some for us and there was no way in hell I was going to eat a tuna fish sandwich, so I flushed it down the toilet. I mean, it was crap. So, it seemed fitting.”

    “Did she have onions and celery in it?”

    “O god, yes. So gross.”

    “Ew. I’d rather eat tree bark,” Andella jokes.

    “We seem to have a lot in common. Do you want to be my fictional story girlfriend?” Billy Halls asks.

    Andella blushes and looks down at the ground. “Yes,” she shyly replies.

    Billy reaches out and takes her hand. It’s warm and soft.

    “Where do you think we are? Andella asks as she looks around.

    “I don’t know,” Billy answers. “But there’s that white door again.”

    “Do you think if we went through it, we’d go back to Texas or go somewhere completely different?”

    “I don’t know, but I’m not in any hurry to find out. This place is nice. And we’ve got weed.”

    “My parents used to call it devil’s lettuce,” Andella says.

    Billy Halls laughs.

    And as if someone flipped a switch, there suddenly came before them a great wall of fire. Like a tsunami it roars like a wave and wall and threatens to come crashing down on them.

    Andella shrieks. Billy raises his arm up in defense, but he knows it would never be enough. They are about to be burned to death.

    But as the flames draw near, just as quickly as they appeared, they suddenly dissipate and disappear altogether. There never was any heat or burning. They pat their bodies to make sure they were not injured. Nothing.

    “What the hell was that all about?” Andella asks.

    Billy Halls surveys the horizon. “It was some kind of mirage or communal hallucination. Seems someone, somewhere, has noticed us. Come here and let me hold you.”

    After snuggling up to him, Andella thinks for a moment. “I’ve seen this kind of thing before,” she says.

    Billy hugs her tightly and kisses the top of her head. Her hair smells good.

    “You have? Where?” he asks.

    “The Planet of the Apes.”

    “Apes? You mean like the movie?”

    “Yes.”

    And it’s then that Andella points and when Billy Halls looks, he sees it. A group of apes on horseback thundering toward them.

    The one that is leading them is bigger than the rest, darker in color than the rest. He bears upon his muscular body a more decorated uniform, and on his head a more ornate helmet. His bloodshot eyes are full of rage and his nostrils flare as he stampedes his troops up the hill toward Billy and Andella. Horns of war blow, spears are held in attack position.

    “The door!” Billy cries out, and they run to the white door standing ornamentally near them and go through it.

    “What is this place?” Andella whispers in the muted dark.

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    The taste of internal bleeding is that of metal, iron precisely. He feels it running down his insides, a reminder of mere flesh and blood. A crowd is gathered outside the tent to witness a miracle. Billy Halls is going to ascend to Heaven just like Jesus Christ. He’s been depressed lately and didn’t care if he died. But then again, he doesn’t assume he has to be dead to ascend to the cloud city. His plan is to call upon the miracle makers as he stands under the sun with eyes closed and arms outstretched. His brow is dappled with a pinon-scented sweat. His straight light-colored hair of decent length is flipping in the wind. “Come to me Lord of lords!” Billy Halls cries out. “Make me to fly all the way to your kingdom!” The wind suddenly sweeps up beneath his arms and tries to lift him. He rises slightly by the way of toe tips. The gullible people watching let out a communal gasp.

    “He’s really going to do it!” someone yells. But then as suddenly as it rose, the wind loses its gusto and Billy Halls’ feet flatten against the hot dirt of a Panhandle Texas summer day. The crowd sighs in disappointment and begins to walk away, grumbling discontent.

    Billy Halls stammers for a moment and slowly he opens his eyes and looks upward and studies the emptiness. The sun is harsh. He spits at the ground. “Well, fuck you too, God,” Billy Halls shamefully says, but he’s angry and he means it. He turns his head downward and kicks at the dusty dirt. “Fuck you, too,” he repeats with a murmur.

    And as the others wander off, there is only one woman who is locked on him, watching him. He seems to be talking to himself, turning in less than miraculous circles, hands now driven down into his pants pockets. “Hello,” she says trying to catch his attention. “I enjoyed the revival.”

    Billy Halls stops and looks at her seemingly perfect face. Their eyes meet in innocent fashion, but dangling on the precipice of love. “I’m no man of God,” he says. “I can’t even muster up a miracle.”

    She extends a soft hand and he takes it. “I’m Andella Morgan.”

    “I’m Billy Halls,” he says quickly, embarrassed by his social awkwardness. It seems he can talk to a crowd of people with no problem, but when it’s up close and personal with just one, he just seems to fade into a sickening nervousness, a slovenly shyness. He looks her up and down. She seems to be out of place by a million miles. “Are you from another planet?” Billy asks.

    She returns a puzzled gaze. “No. Certainly not. I’m from Amarillo,” and she turns and points north. “Out there.”

    He follows her finger along a path of dusty, hot emptiness and finally smiles at her. “Seems like you came a long way for a nothin’ revival.”

    “On the contrary, Mr. Halls. I quite enjoyed it.”

    Billy Halls snickers. “What part?”

    “All of it,” she smiles as she moves closer to him.

    Billy hears a noise and a scuddle. His hired men are disassembling the tent and cleaning up. He looks at Andella and something stirs in his guts. “I’m planning on being outside of Amarillo tonight… near Palo Duro Canyon.”

    “I love it there,” Andella says. “Such a contrast…” She holds her hands up. “To all of this.”

    “Will you be coming?”

    “I would love to, but I have an appointment for a tarot reading.”

    “Tarot? You’re messing with the dark arts. That’s weird stuff. Be careful.”

    “And you talk to an invisible man in the sky and wish for things that never come true,” Andella replies. “Maybe you should try rubbing a magic lamp.”

    “Maybe you should try shutting your face.”

    “Preacher! My, my. Why don’t you just pray that I’ll shut my face?”

    “It doesn’t work like that.”

    “Of course not.”

    Billy Halls grows more frustrated with the woman and moves closer to her. He has an urge to put his hands around her neck and squeeze, but instead he kisses her.

    Andella Morgan pushes him away and wipes at her mouth. “What are you doing!?”

    “I was just trying to suck the evil from your soul.”

    “Bullshit! You were trying to rape me.”

    “Now just calm down. I wasn’t doing that. It was just a simple kiss.”

    There was suddenly an invisible noise, and a white door appears in the dusty sand.

    “What?”

    “What?”

    The sky suddenly turns sea-green and the dark-blue mountains draw closer.

    “I don’t like the looks of this,” Billy Hales says.

    “It must be a tornado coming!” Andella cries out.

    “The door! The door! We should go through the door!” Billy Hales shouts, and he grabs her hand and pulls her toward the door.

    “No! No! That could be a portal to hell!” “Well, then you’ll fit right in,” Billy Hales says, and he pulls her hard one last time through the doorway and then everything is different once more.

  • A snip


    I have noticed unexplainable surges in my stats, and it just doesn’t make sense. For example (as pictured), beginning Jan 31, I have 30, 23, 38, 28, and 21 views. Typical for my site. But then on Feb. 5 views jump to 497 and then today I’m already at 183. How does this happen? And the weird thing is the number of likes just doesn’t jive with the number of visitors. Does anyone else experience this or have any idea why it does this? I would love to have stats like this, but I just don’t feel it’s legit. This has happened several times before.

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